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As a writer he is great, but not perfect. Iwai does have some issues with complicating plot stories, or leaving out plot at all. Even for those who were confused by the plot, another one or two viewing should clear up any misunderstandings.
ALL ABOUT LILY CHOU CHOU GUIDANCE MOVIE
Ī little bit about Japanese life and culture, the emotions of youth, and devotion to an artist then you can watch this movie and understand it. incidentally, much of the films drama and marvel comes from this quality. however, respectfully, this film does a fine job of depicting its characters and events in a manner that allows for the viewer's empathy without pointing direct fingers or offering direct solutions. this film is very much based in a realistic society with realistically harsh and shocking issues and occurrences.
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this is not so much a problem until the viewer begins to feel manipulated in a propaganda-like fashion. with much of what goes on in the world today, filmmakers feel social commentary is an added bonus or even a main goal to depicting a narrative.
ALL ABOUT LILY CHOU CHOU GUIDANCE FREE
the film is nothing short of art.lastly, the film did well to keep free of preaching.
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by the film's closing the style is not so much regretfully confusing as it is fittingly and fully dramatic, as well as both amazing and beautiful. during the non-video portions of the film, the colors are beautifully rich, with verdant fields and saturated skies.the abrupt, but fitting pattern between flowing, dreamlike camerawork, shaky camerawork, textual discourse, and the eerily sensual, fictitious lily chou chou tracks provide a momentum that is both refreshing in its originality but effectively discomforting. at one point, a vacation sequence is depicted solely through excited and dizzying amateur videography by the boys themselves, humorous close-ups of accompanying girls' bodies included. the camera is often puerile and shaky when showing the boys' ventures and conversations. visually, the filmmaking complements the ideas perfectly. There is a compelling intensity about Hasumi's desolate life, and a distinctively spiritual dimension to the way it has been lived.Including the fragility of relationships and the personas we use based on them, fanatical envy and love contrasted against blind rage and hate, metamorphosis, and technology versus nature.although executed in an arguably confusing manner, consisting of many non-chronological vignettes, the film ultimately succeeds in depicting a modern-day story involving the relationship between two early-adolescent japanese boys, their journey through life and school, their changing identities, and their fascination with and "connection" to the strangely popular musician, lily chou chou. Wounded by life in a way that we can only be in adolescence, and which we all conspire to forget or laugh off in later life, Hasumi retreats into his obsessive Lily fan-website. His entire emotional life has gone underground - or rather into cyber-space - displaced into fanatical worship of a (fictional) singer called Lily Chou-Chou, inspired by Faye Wong, the star of Chungking Express. Iwai tracks the unhappy life of 15-year-old Hasumi (Hayato Ichihara), relentlessly bullied and humiliated by another boy his age, Hoshino (Shugo Oshinari). Like other Japanese directors - Shinji Aoyoma, Kinji Fukasaku and Hirokazu Koreeda - Iwai addresses the violent rage and yearning of being young. Its images and quirky, cranky design return to the mind's eye long after the final credits. Yet it passes a distinctive cinematic test which other, more easily watchable films fail: it stays with you.
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It is certainly a film with its longueurs, and is often frustratingly opaque. All About Lily Chou-Chou **** Dir: Shunji Iwai With: Hayato Ichihara, Shugo Oshinari, Ayumo Ito, Takao Osawa 146 minutes, cert 15 Shunji Iwai's spacey, torpid dream-epic of youthful angst and escapism in modern Japan is a movie in which you can find yourself pleasantly drifting, as if suspended in warm water, knowing little and caring less about the elusive narrative.